Kylie Minogue

Kylie Ann Minogue born in May 28, 1968 in Melbourne, Australia, Minogue is the eldest of three children. Her sister Dannii Minogue is also a pop singer. Her brother, Brendan, is a camera man. Minogue first came to attention as a child actor in Australian soap operas, making her acting debut at the age of 11. She appeared in "Skyways", Young Talent Time, The Sullivans and The Henderson Kids, before rising to prominence in 1986 with her role in the Australian soap opera Neighbours.                    

On Neighbours, Minogue played the character of Charlene Mitchell, a tomboy who rebelled at every opportunity, and who fell in love with the boy next door, Scott Robinson, played by Jason Donovan (who she worked with as a child on "Skyways"). The storylines featuring the young couple proved popular with viewers, and both Minogue and Donovan were drawn into the public spotlight, becoming recognisable celebrities for the first time in their respective careers. A record audience watched the episode featuring Scott and Charlene's wedding in 1987.

   Minogue's personal popularity in Australia eclipsed that of other cast members, and to a degree that of the program itself. She was the recipient of a Gold Logie Award, as the nation's most popular television performer, with the result determined by public vote. The program began screening in the United Kingdom in 1987 and was highly successful. As in Australia, Minogue was considered to be one of the program's most popular and charismatic performers. She left the series in 1988 to concentrate on her music career.

   During a charity event with other Neighbours cast members, Minogue performed Little Eva's "The Loco-Motion" and was signed to a recording contract with Mushroom Records in 1987. Released as a single, and retitled "Locomotion", the song spent seven weeks at number one on the Australian music charts, and was the year's highest selling single. Its success resulted in Minogue travelling to London to work with production team Stock, Aitken & Waterman. Her first album "Kylie", a collection of dance songs, reached number one on the British albums charts, and was the year's highest selling and sold over 7 million copies worldwide. It contained six hit singles including "I Should Be So Lucky", and a new version of "The Loco-Motion". The United States was the only major record market in which this album did not sell strongly. Although "The Loco-Motion" reached number three on the US Billboard Magazine Chart, she failed to make a firm impression on the American record buying market. A duet with Jason Donovan titled "Especially For You" was a major hit in Britain in early 1989.

    

  Her follow up album, Enjoy Yourself (1989), continued in the style of its predecessor, and with several hit singles, became another success in the United Kingdom and Australia. Critics who were confounded by her first success, became hostile in light of her second album and began to discuss her limitations as a performer. One critic named her "The Singing Budgie", a name that stuck for several years. By this time she had become Stock, Aitken & Waterman's highest selling act, and its first priority. In the face of widespread criticism it was decided to adjust the overall style of Minogue's music.

   Her next album, Rhythm of Love (1990), marked a departure from the bubblegum music of her previous albums, and attempted a more sophisticated and adult style of dance music. It also marked the first signs of rebellion against her production team and the carefully crafted "girl-next-door" image they had designed for her. Determined to be accepted by a more mature audience, Minogue took control of her music videos for the first time, and presented herself as a sexually aware adult. A concurrent romance with INXS lead singer Michael Hutchence futhered Minogue's attempts to gain acceptance as a mature performer, with Hutchence stating in an interview that his favourite hobby was "corrupting Kylie".

   The single releases all sold well, and were also successful in the UK nightclubs, where they were accepted by the older audience Minogue had deliberately targeted. When the album's fourth single, "Shocked", reached the British Top 10 in 1991, Minogue became the first recording artist to place their first 13 single releases in the Top 10.

   After the success of Rhythm of Love, which had received generally positive reviews, her next album Let's Get To It (1991), was designed to broaden Minogue's appeal. Stock, Aitken & Waterman provided her with a diverse range of ballads and slower dance songs, but it did not receive strong reviews. The first single, "Word Is Out" became her first single to peak outside of the British Top 10, and the album did not sell well. In Australia, her popularity of the previous years was followed by a backlash, and the Australian public appeared to have grown indifferent to her. Her media supporters described her as a victim of tall poppy syndrome.

   Her career was briefly revived by the release of a Greatest Hits album in 1992. It contained all of her hit singles, as well as three new recordings, and reached number one in the UK. The album's release coincided with her departure from Stock, Aitken & Waterman. Her final single releases with them, "What Kind Of Fool (Heard All That Before)" and "Celebration", were only minor successes.

   Minogue's subsequent signing with Deconstruction Records was highly touted in the music media as the beginning of a new phase in her career, but the first album released, the self titled Kylie Minogue (1994), received mixed reviews. Collaborations with such established and successful dance artists as Pet Shop Boys and M People disappointed both critics and record buyers alike. The album was a moderate success, selling over 1 million copies, but only achieved one hit single of note, "Confide In Me", which sold 2 million copies worldwide and stayed at number 1 on the Australian charts for 5 weeks. The other two singles, "Where Is The Feeling" and "Put Yourself In my Place", failed to make the top ten. The media, which had earlier triumphed Minogue's departure from Stock, Aitken & Waterman, now began to predict the end of her career.

   A 1995 duet with Nick Cave and the Bad Seeds titled "Where The Wild Roses Grow" resulted in widespread acclaim in Europe (entering the top 10 in the European charts) and Australia, where the single won the ARIA Award for "Song of the Year" and "Best Pop Release". A brooding ballad whose lyrics narrated a murder from the points of view of both the murderer (Cave), and his victim (Minogue), the song demonstrated that Minogue could be accepted outside of her established genre as a dance artist. She even appeared and performed the single with Nick Cave at the Australian summer rock festival, "The Big Day Out". Her next album Impossible Princess (1997) featured collaborations with such highly regarded musicians as Manic Street Preachers, and saw Minogue participating more in the songwriting process. The album became the lowest selling of her career in the United Kingdom, although many critics wrote positively of her attempt to develop as an artist. The album was her most successful release in Australia since her debut album, with sales boosted by a highly successful live tour.

   Minogue and Deconstruction Records parted company shortly after, and two years later she signed with Parlophone. Her album Light Years (2000) was strongly flavoured with 1970s disco, and was knowingly kitsch. It received the best reviews of her career and quickly became a success throughout Europe, Asia and Australia, selling over 2 million copies worldwide. The single "Spinning Around" became her first British number one in 10 years, with its accompanying video, featuring Minogue in revealing gold hot pants, receiving widespread television airplay. The subsequent single releases, including the duet "Kids" with Robbie Williams, also sold strongly.

  Minogue played to the biggest audience of her career at the 2000 Sydney Olympics, where she performed a cover version of the ABBA hit "Dancing Queen" and her then-current single, "On A Night Like This".

  The following year she released the album Fever. It also received positive reviews although many reviewers commented that it was not as consistently appealing as Light Years. Its musical style retained some disco elements and combined them with 1980s electropop. The first single, "Can't Get You Out Of My Head", spent four weeks at number one in the United Kingdom, reached number one in most European countries, and also in Australia. The single "Can't Get You Out Of My Head" hit the number one spot in over 40 countries and was also number 1 for 11 weeks on the world chart, number for 1 for 16 weeks on the European chart and sold over 4 million copies worldwide. The single became the biggest selling single of 2001 and was the best seller and one of the best sellers in many countries. The album's success was equally widespread, and for the first time since 1988, American radio stations gave her extensive airplay. The album debuted on the American Billboard chart at number 3, and the single reached number 7. Further singles were substantial hits throughout the world, and Minogue established a presence in the mainstream American market, achieved particular success in the American club scene. The album's three other singles, "In Your Eyes", "Love At First Sight" and "Come Into My World" were also big hits worldwide. The album sold over 7 million copies worldwide.

Her credibility as a recording artist was enhanced by winning a Best Dance Recording Grammy in 2004 for the single "Come Into My World", against fellow nominees Madonna, Cher, Groove Armada and Télépopmusik. She had previously been nominated in the same category in 2003 for "Love At First Sight".Her next album Body Language (2003) dispensed with the disco style, and included elements of hip hop. Sales in the United Kingdom and Australia were relatively low, despite the success of its first single, the uncharacteristically subdued "Slow". In the United States the album made little impression, although the singles became major club hits.To date,she has sold over 40 million singles and over 25 million albums and has had a number 1 hit in over 45 countries.
Minogue released her second official greatest hits album on November 22, 2004, entitled Ultimate Kylie. The album features her next single "I Believe in You", co-written with Jake Shears and Babydaddy from the Scissor Sisters.

    Like most recording artists of her era, Minogue has utilised the medium of the music video as the most effective way of promoting her image, and has consistently worked at creating and evolving her visual representation. Her earliest videos portrayed her as a "girl-next-door" who was innocent and slightly gauche. When she took control of her portrayal in 1990, she quickly developed a more adult, slightly raunchier image, which caused her to be compared unfavourably to Madonna. Minogue admitted that she was an influence, but as her confidence grew she established a persona that differed considerably from that of Madonna. Unlike Madonna, Minogue has rarely portrayed herself as a sexual aggressor. Instead she presents herself as a more passive object of desire, and frequently imbues her performances with camp elements and humour. She has occasionally satirised herself, most notably in the video for "Did It Again", in which the four major incarnations of Minogue's career, "Cute Kylie", "Dance Kylie", "Sex Kylie" and "Indie Kylie" battled for supremacy, with "Sex Kylie" fittingly as the ultimate victor. Her videos have touched on adult themes – an interracial relationship in "Better The Devil You Know", lesbian posturing in "What Do I Have To Do", and telephone sex in "Confide In Me". She performed a slow strip tease in the Barbarella inspired "Put Yourself In My Place", and wore revealing costumes in the majority of her videos, most notably those for "Spinning Around" and "Can't Get You Out Of My Head". Her more recent videos have shown vintage (70s, 80s, and earlier) influences similar to those of her recent music.

    These efforts caused elements of the British press to label her SexKylie. She has created her own LoveKylie range of lingerie, and her saucy calendars have been consistently high sellers throughout much of her career. Despite the success of this marketing strategy, and her acceptance by a large audience as a contemporary sex symbol, her critics maintained that her willingness to display her body was an attempt to disguise her lack of talent, and although Minogue accepted these criticisms throughout her career with little public comment, she announced in 2003 that she would present herself more demurely in future. She also stated that this was a result of what she describes as an unplanned incident at the 2003 Brit Awards. During a duet performance with Justin Timberlake, he crudely grabbed her bottom. Minogue said the incident embarrassed her, and caused her to question the public perception of her as a sex object, a perception she admitted she had created.

   Throughout her career, Minogue has been the subject of intense media interest in both the United Kingdom and Australia, which has remained consistent even while her success as a recording artist fluctuated. Her relationships, including her current relationship with French actor, Olivier Martinez, have been extensively reported.
Early in her career, Minogue became a gay icon. While part of her appeal lies in her flamboyant costumes, her humour and sense of fun, and her confident sexual posturing, she has also consistently acknowledged the gay community throughout the world, not only by her willingness to perform at gay venues and at gay events, but also by her outspoken commitment to raising social awareness and acceptance towards people living with AIDS.
As she has matured, she has been accepted by a wider audience than simply that of her record buying fans, particularly in Australia, where her profile has been used to promote issues such as recycling projects through Planet Ark, as well as a campaign to raise public awareness about domestic violence and a kids' helpline.

  In Australia, Minogue has achieved 9 number one singles – more than any other Australian recording artist.
Minogue has cited Olivia Newton-John as her first major influence. She recorded a cover version of Newton-John's hit "Physical" for the Moulin Rouge! soundtrack, however the song was not included. It can be found as a bonus track on the Australian tour edition of "Light Years" and she performed it during the tour of the same name.
Early in her recording career, Madonna became her acknowledged role model. Madonna returned the compliment by wearing a "Kylie Minogue" shirt during a performance at the 2000 MTV Europe Music Awards. In the United Kingdom, Minogue and Madonna are the only female artists to achieve number one singles in the 1980s, the 1990s and 2000s. Madonna is the only female performer to surpass Minogue's (As of 2004) tally of 27 British Top 10 singles. Madonna also sent Minogue a demo song to record called "Alone Again" that she co-wrote with Rick Nowels. Minogue's version however remains unreleased. See Unreleased Madonna songs.
In 1995, Minogue recited the lyrics to one of her biggest hits "I Should Be So Lucky" as poetry in London's Royal Albert Hall "Poetry Jam", at the suggestion of Nick Cave. 

   Minogue's Madame Tussaud's waxwork has been regularly updated to represent her changing image. In 2002, a figure of Minogue wearing lingerie and in a provocative pose, attracted both praise and condemnation, but became one of Tussaud's most discussed figures.
The success of her single "Can't Get You Out Of My Head" was enhanced when Minogue performed an unauthorised version of the song, which blended it with the music track of New Order's "Blue Monday", at the Brit Awards. Its popularity led to an authorised version being recorded and released as the "B" side for her single "Love At First Sight".
Minogue's portrait hangs in the National Gallery of Australia in Canberra. Minogue has been featured on an Australian postage stamp.
Paul Morley's study of the evolution of pop music, Words And Music: A History Of Pop In The Shape Of A City, employs Minogue as the vehicle by which pop is explored.
Minogue now has her own line of lingerie available in Australia and the UK called "Love Kylie".
In 2002, Q magazine named Minogue in their list of the "50 Bands To See Before You Die".